Contemporary Art from China
Theatre of the World, 1993, by Huang Yong Ping
This artistic design has two components, the bridge-like structure, and the tortoise-like structure. Huang’s artistry refers back to Jeremy Bentham’s 1700s prison concept. It depicts the way modern societies are surveilled by their governments. Huang also draws inspiration from the mythical creature, Daoist deity Xuanwu, which is an animal that has a tortoise-like body and a snake-like head; according to cosmological perspectives, this union helped create the universe.
This design reflects on the Chinese geopolitical aspects of today, whereby the Chinese people have been subjected to communist ideals by piling heads, brains, and people together through the chaos with the aim of conforming with the wave of globalization, modernization, and industrialization.
Five hours, 1993/2006, by Chen Shaxiong
This piece did not refer to any other historic piece, but rather it was a response to the changing times in China and the rest of the world. The visit of Deng Xiaoping, the communist party leader, to southern China to promote the concept of economic liberalization marked a new chapter in the history of the country and its people. It was the start of a new nation characterized by neoliberalism and free-market capitalism ideals. Calls for democracy were dealt with another new blow of authoritarianism. China’s clamor to conform to the ideals of globalization and urbanization w…
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